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Theses/Dissertations from 2022

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ARCHIVAL RUINS: DENNIS NUMKENA AND NEO-ANASAZI FUTURES, Danya Epstein

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Living In A Material World: The Petite Singerie of Eighteenth-Century Chantilly, Sydney Fitzgibbon

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The Art of the Present in the Country of the Future: Remediations of Brasília in Contemporary Art, Alice Heeren

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Es la Rosa, El Símbolo Más Proprio de La Pureza’ (The rose is the most appropriate symbol of purity) An analysis of an 18th-Century Document Reflecting Female Monasticism In Mallorca, Brigid Powers

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Redressing the Body: Subjectification through Doll-Making at the Bergen-Belsen Displaced Persons Camp, 1945, Alexandra Stern

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Chicano Art is Not Dead: The Politics of Curating Chicano Art in Major U.S. Exhibitions, 2008-2012, Claudia Zapata

Theses/Dissertations from 2021

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Miming Modernity: Representations of Pierrot in Fin-de-Siècle France, Ana Norman

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As Above, So Below: Italian Amuletic Practices Following the Black Death, Danielle Pigeon

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HAVANA IMPRESSIONS: PRINT CULTURE AND GLOBAL MODERNITY IN PLANTATION CUBA (1790-1860), Asiel Sepulveda

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Colonialism, Cohabitation, and Charismatic Llamas: Representations of Animals in Felipe Guaman Poma de Ayala's El primer nueva corónica y buen gobierno, Laura Varela Mejia

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Care, Collectivity, and Disabled Futurity, Madison Whitaker

Theses/Dissertations from 2020

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Painting and Performing the Past: Representation of a Historical Marriage in Eighteenth-Century Peru, Xena Fitzgerald

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International Resonance in the Artwork and Writing of Jiro Takamatsu, Adrian Ogas

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The Exchange Happens Here: Net Art's Alternative Currencies, April Riddle

Theses/Dissertations from 2019

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Traces of Identity: Portraiture in the Work of Teresa Margolles, Alexandra M. Perez

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"Silent Salesmen," Skeptical Consumers: American Images in a Divided Berlin, 1949-67, Lauren Richman

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Always In-Formation: The Presence of Sound in the Work of Dan Graham, Jennifer Smart