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Home > Centers > Meadows Museum > Museum Exhibitions

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Museum Exhibitions

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  • Between Heaven and Hell: The Drawings of Jusepe de Ribera by Southern Methodist University

    Between Heaven and Hell: The Drawings of Jusepe de Ribera

    Southern Methodist University

    "Drawing played a central role in the art of Jusepe de Ribera (1591-1652). Born in Valencia, Ribera spent most of his career in Naples where he significantly influenced the course of artistic production in the seventeenth century. Although little is known of his youth, training, and journey from Spain to Italy, Ribera is recorded in Rome in 1606, in Parma in 1611, and in Naples from 1616 until his death in 1652. After arriving in Italy, Ribera encountered the revolutionary paintings of Michelangelo Merisi da Caravaggio (1571-1610), whose distinctive qualities Ribera adopted in his own work, prompting him to be recognized as a Caravaggesque artist. Yet unlike Caravaggio, who famously did not make drawings on paper, Ribera was both an extraordinary painter and a prolific graphic artist. He produced a remarkable corpus of drawings as well as an important group of prints, and it is the strength of his works on paper – in addition to his paintings – that sets Ribera apart from his Caravaggist contemporaries."

  • Between Heaven and Hell: The Drawings of Jusepe de Ribera by Southern Methodist University

    Between Heaven and Hell: The Drawings of Jusepe de Ribera

    Southern Methodist University

    "Drawing played a central role in the art of Jusepe de Ribera (1591-1652). Born in Valencia, Ribera spent most of his career in Naples where he significantly influenced the course of artistic production in the seventeenth century. Although little is known of his youth, training, and journey from Spain to Italy, Ribera is recorded in Rome in 1606, in Parma in 1611, and in Naples from 1616 until his death in 1652. After arriving in Italy, Ribera encountered the revolutionary paintings of Michelangelo Merisi da Caravaggio (1571-1610), whose distinctive qualities Ribera adopted in his own work, prompting him to be recognized as a Caravaggesque artist. Yet unlike Caravaggio, who famously did not make drawings on paper, Ribera was both an extraordinary painter and a prolific graphic artist. He produced a remarkable corpus of drawings as well as an important group of prints, and it is the strength of his works on paper – in addition to his paintings – that sets Ribera apart from his Caravaggist contemporaries."

  • Modern Spanish Art from the Asociación Colección Arte Contemporáneo by Southern Methodist University

    Modern Spanish Art from the Asociación Colección Arte Contemporáneo

    Southern Methodist University

  • The Abelló Collection: A Modern Taste for European Masters by Southern Methodist University

    The Abelló Collection: A Modern Taste for European Masters

    Southern Methodist University

  • Treasures from the House of Alba: 500 Years of Art and Collecting by Southern Methodist University

    Treasures from the House of Alba: 500 Years of Art and Collecting

    Southern Methodist University

  • Sorolla and America by Southern Methodist University

    Sorolla and America

    Southern Methodist University

  • Impressions of Europe: Nineteenth Century Vistas by Martín Rico by Southern Methodist University

    Impressions of Europe: Nineteenth Century Vistas by Martín Rico

    Southern Methodist University

  • Diego Velázquez: The Early Court Portraits by Southern Methodist University

    Diego Velázquez: The Early Court Portraits

    Southern Methodist University

 
 
 

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