Abstract

Pilgrimage has been a part of Christian experience since biblical times. Creating new stories, pilgrimage affords sacred travelers experiences that transcend nationalism, denominational identity, and cultural borders melding their individual constructs of meaning with communal experiences to create new insights. On these pilgrimages, music has played a significant role in the development of community. While pilgrimage is an independent act, it is also a shared existence with other pilgrims with music serving as a bridge between these two realities. With an estimated 100 million people undertaking pilgrimages at the beginning of the twenty-first century, the rediscovery of pilgrimage, and the music that accompanies it, has meaningful connections for the post-modern church struggling to find a new identity. The ecumenical communities at Iona and Taizé provide particular case studies for the role of music in forming community among disparate travelers. The individual and communal nature of pilgrimage, the ability of pilgrimage to provide commonality in a diverse society, and the role of singing and traveling music calls for the reexamination of this ancient practice for the post-modern church.

Degree Date

Spring 2021

Document Type

Thesis

Degree Name

D.P.M.

Department

Perkins School of Theology

Advisor

C. Michael Hawn

Second Advisor

Robert Hunt

Subject Area

Music, Religion, Theology/Religious Education

Notes

Church music, pilgrimage

Number of Pages

145

Format

.pdf

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License

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