Subject Area
Art, Art History/Criticism/Conservation, Humanities, Humanities, Textile Fabrics
Abstract
Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also discuss contemporary artist influences and a variety of childhood memories. My art serves as a vehicle both for understanding my struggles with identity and as a way to heal from my painful experiences. I have created a visual vocabulary over the last two years of artmaking and experimentation that stems from monstrosity, quilting, kintsugi, personal narration, and defining identity versus identifiers. I address how I begin with a struggle with identity, use art-making to address the issue, and what I have concluded as a result.
Degree Date
Spring 5-11-2024
Document Type
Thesis
Degree Name
M.F.A.
Department
Division of Art
Advisor
Brian Molanphy
Second Advisor
Jer'Lisa Devezin
Number of Pages
26
Format
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License
Recommended Citation
Alexander, Lauren Careese, "Fragmented Bodies" (2024). Art Theses and Dissertations. 27.
https://scholar.smu.edu/art_etds/27
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Included in
African American Studies Commons, Art Practice Commons, Ceramic Arts Commons, Christianity Commons, Contemporary Art Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Metal and Jewelry Arts Commons, Painting Commons, Sculpture Commons, Women's Studies Commons