The Duality of Perception: Unveiling the Hidden Through Visible Forms

Authors

Sharmeen Uqaili, Southern Methodist UniversityFollow

Subject Area

Art

Abstract

This MFA thesis, The Duality of Perception: Unveiling the Hidden through Visible Form, involves layering paints on shaped wood panels and paper, using the traditional technique of tezhib (gold illumination) and geometric art. Through these layers, I aim to challenge the viewers’ perceptions by simultaneously revealing and concealing elements within the work. Symbols drawn from Islamic traditions such as pomegranates, birds, and ribbons are incorporated in the paintings to carry both cultural and personal significance, evoking my connections to spiritual and physical realms.

Rooted in the principles of Islamic art and informed by spiritual themes such as paradise, divine harmony, and interconnectedness, this thesis investigates the duality of dhahir (the visible) and batin (the hidden) within my artistic practice. My exploration of these themes is shaped by my lived experiences, including my Pakistani traditions, memories, and values passed down through my family heritage, which together enrich the visual narrative and deepen the dialogue between what is seen on the surface and the emotions and meanings that lie beneath the imagery.

In my work, geometry and abstraction serve not only as aesthetic tools but as portals for transcendence, inviting contemplation and inner reflection. By exploring the hidden meanings within visible forms, my art becomes a means of unveiling the mysteries that lie beneath the surface.

Degree Date

Spring 5-2025

Document Type

Thesis

Degree Name

M.F.A.

Department

Department of Art

Advisor

Brian Molanphy

Second Advisor

Kerry Maguire

Number of Pages

41

Format

pdf

Recommended Citation

Uqaili, Sharmeen, "The Duality of Perception: Unveiling the Hidden Through Visible Forms" (2025). Art Theses and Dissertations. 30.
https://scholar.smu.edu/art_etds/30