Contributor
Steven Hector Gonzalez
Subject Area
Art, Art History/Criticism/Conservation, History, Philosophy
Abstract
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes material that supports a multidisciplinary practice. The result of such endeavors is layered collage works as well as performative video works that are each grounded in relevant research centered on sexuality, marginalized identities, and media studies. This theoretical contextualization hinges primarily on texts such as Jose Esteban Munoz's Disidentifications, Hito Stereyl's A Thing Like You and Me, and Guy Snaith's essay, Tom's Men: The Masculinization of Homosexuality and the Homosexualization of Masculinity at the End of the Twentieth Century. The works discussed in this thesis function as a disruption of idealized masculinity and reworking it into an art object that lends itself to the visibility of othered makers.
Degree Date
Spring 2019
Document Type
Thesis
Degree Name
M.F.A.
Department
Division of Art
Advisor
Eileen Maxson
Second Advisor
Melanie Clemmons
Third Advisor
Jonathan Molina-Garcia
Number of Pages
22
Format
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License
Recommended Citation
Gonzalez, Steven H., "Reworking The White-Masculine Ideal" (2019). Art Theses and Dissertations. 6.
https://scholar.smu.edu/art_etds/6
CV
Gonzalez_Steven_Statement.pdf (45 kB)
Artist Statement
POLLOCK2019_GONZALEZ_STEVENHECTOR_IMAGES.pdf (621 kB)
2019 MFA Qualifying Exhibition Brochure Images
GONZALEZ_STEVENHECTOR_5x7.pdf (68 kB)
2019 MFA Qualifying Exhibition Brochure 5"x7" Insert Text
MFA_Committee_Signature_01.pdf (2047 kB)
Graduate Handbook Appendix B Committee Signature 01
MFA_Committee_Signature_02.pdf (2068 kB)
Graduate Handbook Appendix B Committee Signature 02
SHG_collage_01.png (6798 kB)
SHG_collage_02.jpg (3233 kB)
SHG_collage_03.png (4499 kB)
SHG_collage_04.png (10641 kB)
SHG_collage_05.png (10204 kB)
SHG_collage_06.png (10678 kB)
SHG_untitledreflections_01.png (2420 kB)
SHG_untitledreflections_02.png (2356 kB)
SHG_untitledreflections_03.png (2068 kB)
SHG_untitledreflections_04.png (1882 kB)
SHG_untitledreflections_05.png (2779 kB)
SHG_wheretheboysare_01.png (1250 kB)
SHG_wheretheboysare_02.png (1195 kB)
SHG_wheretheboysare_03.png (1234 kB)
SHG_gloryhole_01.jpg (3066 kB)
SHG_gloryhole_02.jpg (14298 kB)
SHG_gloryhole_03.jpg (4248 kB)
SHG_gloryhole_04.jpg (2694 kB)
SHG_gloryhole_05.jpg (3140 kB)
SHG_gloryhole_06.jpg (1953 kB)
SHG_Image List.pdf (2968 kB)
Included in
American Popular Culture Commons, Art Practice Commons, Chicana/o Studies Commons, Contemporary Art Commons, Epistemology Commons, Fine Arts Commons, Interdisciplinary Arts and Media Commons, Latina/o Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Modern Art and Architecture Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, Photography Commons, Theory and Criticism Commons