Subject Area
Art
Abstract
Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, Robert Smithson, and Michael Steiner.
Degree Date
Spring 5-2020
Document Type
Thesis
Degree Name
M.F.A.
Department
Division of Art
Advisor
Philip Van Keuren
Second Advisor
Sarah Nance
Number of Pages
32
Format
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
Recommended Citation
Ward, Tino, "Paper Making: Finding the Scaffold" (2020). Art Theses and Dissertations. 14.
https://scholar.smu.edu/art_etds/14
Tino Ward CV.pdf (29 kB)
Tino Ward Image List.pdf (63 kB)
TINO WARD IMAGES.pdf (136355 kB)
Tino Ward Statement 02-01-2020.pdf (24 kB)
Tino Ward Thesis Abstract 2020.pdf (30 kB)
Included in
Art Practice Commons, Book and Paper Commons, Contemporary Art Commons, Fine Arts Commons, Modern Art and Architecture Commons, Painting Commons, Sculpture Commons
